Love Aaj Kal Music Review – Bollywood Hungama

EXPECTATIONS

Again in 2009 when Love Aaj Kal had launched, its tune had grew to become out to be a roaring good fortune. Once more, it is the group of Pritam and Irshad Kamil coming in combination for Imtiaz Ali and one waits to look that when growing magic for Saif Ali Khan and Deepika Padukone a decade in the past, whether or not they have got repeated the similar for Kartik Aaryan and Sara Ali Khan as neatly.

MUSIC

It’s outdated global allure revisited with ‘Shayad’ which has Arijit Singh taking heart-level. Simply the type of track this is made for hearts deeply in love, this one is for die exhausting romantics. Be it the lyrics, tune or the style wherein Arijit Singh is going about rendering this one, ‘Shayad’ is a winner the entire approach. No surprise, its ‘reprise model’ comes later within the soundtrack as neatly with newcomer Madhubanti  Bagchi giving Arijit coming. Had this track been promoted extra aggressively, it might neatly have grew to become out to be a significant chartbuster already.

Subsequent to reach is ‘Mehrama’ and the track simply selections up from the place ‘Shayad’ left, therefore turning out to be but any other gorgeous melody that makes an access proper into your center. Darshan Raval and Antara Mitra pair up for ‘Mehrama’ which later additionally arrives in an ‘prolonged model’ and makes you lengthy for your beloved. Those two songs, coupled with an extra model every, set the ‘sur’ of Love Aaj Kal and one expects the romantic temper to proceed throughout.

That is why why ‘Raftaar’ rendered rap monitor ‘Parmeshwara’ seems to be not anything however a impolite surprise. A in reality demanding piece which simply does not organize to sign in itself and is a misfit each within the soundtrack in addition to the movie’s narrative, it tries to be all cool and sensible however fails large time. This one simply did not have a spot within the tune of Love Aaj Kal.

Arijit Singh is again within the fold and he croons two again to again tracks, ‘Rahogi Meri’ and ‘Haan Tum Ho’. Once more, it is the standard romantic temper this is created in those love songs which might be simply the type that one expects in an Imtiaz Ali movie. No longer that those songs are chartbusters within the making as they don’t seem to be in point of fact massy of their presentation and outlook. Alternatively in the event you simply need to take a seat again, calm down and take into accounts the only whom you like probably the most, ‘Rahogi Meri‘ and ‘Haan Tum Ho’ (which has Shipra Rao coming into the fray as neatly) in reality finally end up becoming the invoice.

Mohit Chauhan had rendered ‘Yeh Dooriyaan’ within the first Love Aaj Kal and there’s a new model of the track that arrives in the newest Love Aaj Kal with the similar identify. The singer brings all his revel in into play with this heartfelt quantity this is simply the type which is to be heard with quietness and serenity throughout. Wearing a excellent dose of ache with it, this one has the signature theme that went within the background of ‘Yeh Dooriyaan’, therefore bringing at the nostalgia.

The tonality of the soundtrack adjustments despite the fact that with ‘Dhak Dhak’ and despite the fact that this one is no less than moderately higher than ‘Parmeshwara’, all over again this can be a misfit into the soundtrack. Seeking to infuse ‘pahadi’ taste into the recent sound, this Nikhita Gandhi and Akasa rendered monitor tries to herald the whole thing from Rumi to web in a single pass however does not in point of fact make you play it in loop in every single place once more.

Fortunately, it’s again to romantic zone with ‘Aur Tanha’ which sees KK go back after a hiatus. With a guitar within the background, that is but any other track which has a center in love eager for the only closest to it. A cushy rock quantity that is going neatly with the movie’s narrative, this one may neatly make it as a bonfire affair among early life.

The soundtrack concludes with a bang despite the fact that with Arijit Singh and Shashwat Singh coming in combination for ‘Haan Primary Galat’. A brand new age model of ‘Twist’ that had made large waves in Love Aaj Kal [2009] greater than a decade again, this one in truth seems to be an excellent model of the unique. Collection of instances one has complains round recreated variations no longer in point of fact matching as much as the unique however this one in truth succeeds in taking it to the following degree. Chartbuster.

OVERALL

The tune of Love Aaj Kal has consistency written in every single place it, barring a few songs which can be misfits. There is probably not many chartbusters in the market however if you’re the person who is both in reality in love with anyone or is nursing a damaged center, Love Aaj Kal does neatly in rekindling the ones feelings neatly sufficient.

OUR PICK(S)

‘Haan Primary Galat’, ‘Shayad’, ‘Mehrama’, ‘Yeh Dooriyaan’